zoos-pisajes-plantas-etc: flowers

Showing posts with label flowers. Show all posts

Repost: Michael's Mariachis

Well, it has been a repost sort of week, and as it is All Soul's Day, a.k.a. The Day of the Dead, this only seemed fitting. It's from my college friend, Michael, and it appeared here originally on December 30, 2008. Enjoy!

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....

The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.

And now, for some color:

Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".

And the angel at the top of the piece (and the top of the post)?

Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Thanks again to Michael for sharing this amazing tattoo with us here on Tattoosday - twice!

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Stu's Sleeve in Progress

One of the drawbacks of approaching folks in Penn Station as I pass through after work is that, if they're waiting for a train, and their platform is called, they're off to the races. Sometimes people reach out to me after I've met them, but other times I don't hear from them again.

Such was the case with Stu, who shared the top part of his sleeve-in-progress:

Stu was able to tell me that his artist is Richie Calascibett at Starlight Tattoo in Rochelle Park, New Jersey.

I particularly love the blue flower and the way that Richie tattooed the wind into the design.

Thanks to Stu for sharing this great tattoo with us here on Tattoosday!

Kim's Floral Arm

I caught Kim in Penn Station one day after work last month, just as she was getting ready to board her train. She shared this floral tattoo that graces her upper right arm:

This bouquet of daisies, sunflowers, and lotus, with a hummingbird thrown in, to boot, was tattooed by Junior Ibanez, who tattoos independently on Long Island.

Thanks to Kim for sharing her ink with us here on Tattoosday!

Colleen Returns to Share Some Lovely Ink

I spotted a woman with some really great tattoos out on Penn Plaza and, after talking to her a brief moment, realized it was Colleen, who appeared on Tattoosday once before, back in 2009, as chronicled here.

Colleen shared two tattoos that grace her upper arms:

Colleen loves this tattoo and I can't say I blame her. As a Buddhist, she appreciates the symbolism of the lotus and the om on the skull. She explained:

"the lotus comes out of the mud at the bottom of the water and blooms out of that and that's ... birth. And the skull [represents] death."

The piece encompasses the cycle of life and death. She credits this wonderful work to Patrick Conlon at Graceland Brooklyn.

Colleen also has this work on her right arm:

Colleen explained that the dragon was there first, and then Patrick added the fire and pansies, to make it a much more beautiful tattoo.

Thanks to Colleen for sharing her tattoos with us (again) on Tattoosday!

Two for Tattoosday - Dave's Scalpflower and Bethany's Lonely Whale

A couple weeks back, I met Dave and Bethany outside of the Borders Penn Plaza in Manhattan. Both had amazing ink and shared some tattoos with us. Let's start with Dave's "scalpflower":

Dave explained that this floral tattoo on his scalp was inked by Mike Adams, who was doing a guest spot at Thicker Than Water in Manhattan.

Dave elaborated:

"We had talked about some ideas when I saw him [Mike Adams] at the Philadelphia Convention. We showed up [at Thicker than Water] and he just showed me some of the drawings of the tattoos he had recently done.

He had done another flower on someone else in the past week and I said 'Oh, let's do one of those.' He said, 'Yeah, that's awesome/ Let's do it.' "

Dave, who is approximately 70% covered in tattoos, had mostly been worked on by Tony Hundahl from Rock of Ages Tattoo in Austin, Texas. Hundahl has done both of Dave's sleeves (including the traditional segment pictured below), his chest, stomach, back, knees and one of his legs.

Dave added that, since moving to Washington D.C. recently, he started collecting work from other artists in the East.

Along with Dave, I met Bethany who, shared one of her more recent tattoos, this whale by Deno Jr.:

Deno Jr. works out of Circus Tattoo in Madrid, Spain, but had recently done a guest spot at Tattoo Paradise in D.C.

This tattoo is of this lonely whale, whose song is different from any other species, so it is an outcast, and she doesn't have a mate.

Thanks to Dave and Bethany for sharing their amazing tattoos with us here on Tattoosday!

Tattoorism: Sean Returns, Part 1

Back in 2009, one of our loyal readers, Sean, submitted a whole slew of his work for our viewing pleasure. You can read the original posts, here and here.

Why do I bring this up now? Last summer, Sean sent us more of his tat-alog of work and I had been saving it for a rainy day. Since it's a rainy, sleety, snowy day, I thought I should share more of what Sean sent along. And since he sent a lot, I'm splitting it into two posts. What follows is the first installment. Italics represent direct quotes from Sean.

I got the ditch of my elbow done probably about a year or so ago. It is a flower of sorts, of my own design, made up of various geometrical shapes. The tattoo represents two parts of our world, nature (the floral shape itself, petals, leaves, etc.) and science (the geometric shapes making up the flower). I believe that one should not base their ideals solely on nature or science/technology, but on a mixture of the two. It represents my appreciation for both nature and science. Basically, I am fascinated by technology and the sciences that are its basis, but at the same time do not feel that science should trump nature all together but rather, have the two working together in harmony. It was done by Robert “Binky” Ryan at Electric Tattoo in Bradley Beach, NJ.

The sparrows circling my outer elbow were my next pieces done. I had attended a Marine museum in Philadelphia which had a great exhibit on the tattoo culture surrounding the Navy and sailors in general throughout history. According to the exhibit, sailors would earn the right to a single sparrow tattoo after traveling 5,000 miles at sea and a second sparrow after 10,000 miles. I am not much for sailing, but the idea of the sparrow representing travel and all the hardships, journeys, and successes that surround that travel appealed to me. Further, I have a general appreciation for American Traditional tattoos and their overall aesthetics. These were done by Rich Heller at Electric Tattoo in Bradley Beach, NJ.

Don’t quite remember when I got my feet finished up, but it was sometime within the last year and a half or so. My feet are tattooed with a sun and moon, which I drew myself about 6 years ago. The duality of the sun and moon, and various meanings that these two symbols hold are why I had them tattooed. The idea that each represents night and day, or two opposites that work together to make up a whole, are what drew me to having the designs placed on my feet. Further, it represents the two sides that I have to myself, a lighter, happy, and caring side and a darker, selfish side. I feel a person cannot fully understand themselves without acknowledging and accepting all parts of their personalities. I also gave the sun and moon, a dark, kind of macabre, look as I am a huge horror fan and have always been attracted to the darker side of things. Originally, I had them inked by Robert “Binky” Ryan (then at Body Art World in Pt. Pleasant, NJ but now Electric Tattoo in Bradley Beach, NJ) in 2004. They were done in grey wash and I was happy with them for about 5 years, in which point I decided to have them colored in, and had some background added. The color and background were added by Brody Longo at Slingin’ Ink in Pt. Pleasant Beach, NJ.

The next piece I got was an anchor on my inner forearm. The anchor represents all the things that drag me down in life. Across the anchor is a banner that reads “P.M.A.” the abbreviation for positive mental attitude. I feel the first step in pushing through any kind of hardship in life is to have a positive attitude, and the rest will follow. I want to say the original use of PMA was in a Bad Brains song, but I pulled it from its use in the Glassjaw song “Piano.” This tattoo is also a throwback to the band Glassjaw, as they have been my favorite band for I would have to say at least 10 years now and I have experienced just about every emotion possible while listening to their albums. So as an added bonus, the tattoo brings me back to all those memories. The tattoo was done by Rich Heller at Electric Tattoo in Bradley Beach, NJ.

Thanks to Sean for sharing all of this with us here on Tattoosday, and for patiently waiting for me to post it!

Stay tuned for part 2.....

Clark's Tattoo Incorporates Utah Wildflowers and a French Surrealist

Back in October, I briefly met Clark when I was passing through Penn Station at the end of the day. He was waiting for a train, so we didn't have a lengthy discussion, but he did let me photograph his right forearm:

There are two significant elements to this work. Clark is originally from Utah, and he has chosen to acknowledge this in ink by having Utah wildflowers incorporated in the piece.

The figure is bordered by the French phrase "Nul n'est censé ignorer" which can be translated as "ignorance is no excuse." The figure is based on the work of French painter and poet Francis Picabia.

Clark credited both Jonah Ellis and Joss Macetti at Graceland Brooklyn for work on this tattoo.

Thanks to Clark for sharing this with us here on Tattoosday!

Something Girly This Way Comes

I met Nadya one afternoon in the beginning of October in Borders on Penn Plaza.

She shared this tattoo, which covered up a date she had initially inscribed on her arm:

Nadya told me that she wanted something "girly".

What I found most interesting about this tattoo is that when I asked her who the artist was, she told me it was her father. I can't imagine tattooing my own daughter. I would be too nervous!

Thanks to Nadya for sharing this tattoo with us here on Tattoosday.

Brandice's Family Ink

I met Brandice in Penn Station back in August, as she sat on the stairs by the New Jersey transit terminal. She shared her half-sleeve-in-progress on her right arm.

This is the inside of the arm:

Brandice explained that her work is a tribute to her family. The Confederate Flag is a nod to her family from the South, most of whom come from Virginia.

I had to ask if she had any reservations about inking the flag on her arm, since some people see such a symbol in a negative light. She acknowledged that she took this into consideration, but decided that it is part of her family history, and that when she explains this to people, they understand. She does not wear it to make a statement but, rather, to honor where her family is from.

The "Daddy" is a memorial nod to her father who passed away and the phrase "Family Tradition" reinforces the central theme of the tattoo, and further acknowledges her Southern heritage.This is an allusion to Hank Williams, Jr. and his song (and album) "Family Tradition".

On the second part of the tattoo, the design is filled with additional meaning, with her cousin represented by the skull,

and the skull with the bow represents herself. The banner bearing the initials MLC is a nod to her grandmother. She has used symbols to represent the living and names for those who have passed.

The dogwood flowers in the tattoo have religious meaning as well, in addition to being the state flower and state tree of Virgina. The magnolias are also shout-outs to her southern family heritage.

Brandice has about eight hours of this tattoo done so far, all by Dan Paone at White Lotus Tattoo and Art Gallery in Tom's River in New Jersey.

Thanks to Brandice for sharing her tattoo steeped in family traditions with us here at Tattoosday!

Sarah's Chrysanthemum

I spotted this lovely flower on Sarah while she was waiting for her train in Penn Station:

This chrysanthemum is her first tattoo and sits on her upper left arm. Sarah is a big fan of Eastern art and understands that chrysanthemums are symbols of joy (except in Germany, she noted). She feels that Russell Kelley at Silk City Tattoo in Hawthorne, New Jersey did a nice job of merging Eastern and Old School styles on this beautiful flower. Work from Silk City has appeared multiple times before and can all be seen under Silk City's Tattoosday label here.

Thanks to Sarah for sharing her tattoo with us, and Happy Labor Day from us here at Tattoosday!

Kristine's Globe and a Memorial for Mom

Kristine has seven tattoos, two of which she shared with us late last month in Penn Station.

The first one I noticed when she walked by was this piece from the back of her calf:

This is an homage to her travels, having recently returned from ten months in New Zealand. The Latin phrase below the globe, "On Omnia Paratus" translates to "ready for all things".

She also shared this lovely floral tattoo on her upper right arm:

Kristine explained that these tulips are a memorial to her mother, who passed away from lung cancer.

These tattoos were done by Chris Pesonen at Fat Kat Tattoos in Keyport, New Jersey. Work from Fat Kat has appeared previously on Tattoosday here.

Thanks to Kristine for sharing her tattoos with us hereon Tattoosday!

Eric's Tattoo: Zero the Fool and an Obsession with Time

I met Eric on Seventh Avenue between 23rd and 24th Streets earlier this month.

This tarot card on his left forearm jumped out at me:

Eric is a mixed media artist whose website can be seen here. He is an illustrator and is currently in school studying toy design. The tattoo he has is primarily based on a linoleum block he had created that recalls the Tarot card "The Fool". Because it is an unnumbered card in the deck, it is often referred to as "Zero" or 0.

The Fool often represents the beginning of a journey, oftentimes a "foolish adventure". He had this tattooed to commemorate his decision to move from Boston to New York City. While the decision may not have been foolish, it did mark a new journey in Eric's life.

The card was tattooed by Hannah at Regeneration Tattoo in Boston.

One may have noticed that there is work around the tarot card, as well, so it's only fair to show the piece as a whole:

And the tattoo extends up the arm a bit from the pocket watch on the right:

The additional elements in the tattoo speak to Eric's obsession with the passage of the time. Snowflakes are only temporary as they fall from the sky and melt, or become mixed with other flakes and lose their singularity.

The flowers are imagined creations representing growth. Eric's floral images are inspired by the artwork of Henry Darger.

He also notes that the time piece is cracked and broken:

This, he says, represents the fight against the obsession and paranoia over the passage of time.

The work around the tarot card was all tattooed by Kelly Krantz at the now-defunct Hold Fast Tattoo in Williamsburg, Brooklyn. From what I can tell, Krantz is not currently affiliated with any one tattoo shop.

Thanks to Eric for sharing his thought-provoking tattoo with us here on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

The Tattooed Poets Project: Jeanann Verlee

Here on the final day of the 2010 Tattooed Poets Project, we are featuring two tattooed poets (in two separate posts).

First up is Jeanann Verlee, who holds the distinction of being the one poet this year who met with me in person to discuss their tattoo.

Jeanann offered up her upper left arm:

The incredible detail of this piece is in the hummingbirds:

This whole tattoo is based on the cover art from her just-released first book Racing Hummingbirds (Write Bloody Press, 2010).

Jeanann knew she wanted her next tattoo to have something to do with the upcoming book. When she had the opportunity to work with an artist she respected, Tyson Schroeder, Jeanann held off on getting new ink and waited to see his art for the cover. She was happy she waited and, loving what she saw, she took the design Tyson created to her tattoo artist, Mark Harada at East Side Ink.

The racing hummingbirds design was placed adjacent to one of Jeanann's approximately fifteen other tattoos. The piece already on her arm consisted of a symbol comprised of Celtic and Nordic runes, and calla lilies, which represent transformation.

It was truly a pleasure meeting Jeanann at Grand Central Station and talking with her about her tattoos and her poetry. One of her poems, dedicated to poet Eboni Hogan, can be seen here over on BillyBlog. Eboni's tattoo (here) follows this post, and her poem is dedicated to Jeanann.

Thanks to Jeanann for taking the time to meet with me, sharing her tattoo, and rounding up an exciting 2010 Tattooed Poets Project!

*****

JEANANN VERLEE is a former punk rocker who collects tattoos and winks at boys. She is author of Racing Hummingbirds (Write Bloody Press, 2010) and her work has appeared in a number of journals and anthologies, including The New York Quarterly, PANK, FRiGG, Danse Macabre, and Not A Muse, among others. An acclaimed performance poet who co-curates the weekly reading series Urbana Poetry Slam at the Bowery Poetry Club, Verlee has performed and facilitated workshops across North America. She was co-author and performing member of national touring company The Vortex: Conflict, Power, and Choice!, charter member of the annual Spoken Word Almanac Project, and is an ardent animal rights and humanitarian activist. She lives in New York City with her best pal (a rescue pup named Callisto) and a pair of origami lovebirds. She believes in you. Learn more at JEANANNVERLEE.com.

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